Day 24: Weber Clarinet Concerto no.1

Day 24: Weber Clarinet Concerto no.1

Oh wow! This really takes me back! To my teens!! I have memories of playing this for one of my clarinet exams; but how much beautifully does Emma Johnson play it than I?! This CD was obviously bought for the familiarity of something I could play, and for the performer who had just won the BBC Young Musician of the Year * competition! Can’t remember the exact year, but it was probably 1984.

Carl Maria von Weber ** (1786-1826) was a contemporary of Beethoven (1770-1827), although to me his music is slightly more reminiscent of the style of Mozart, and he was taught at one time by Haydn’s younger brother, Michael. The concerto is fairly typical of the Classical period, following the traditional concerto form – three movements, fast-slow-fast – and is scored for instruments typical of the time. Although I’ve said it is Mozart in style, apparently, new styles of writing appear in the first movement, although the final movement is more conventional (according to the CD insert).

As I’ve said, my recording is of Emma Johnson, and she is accompanied by the English Chamber Orchestra, conducted by Gerard Schwarz.

* Sorry to quote wikipedia at you, but this really is the best link to the competition that I can find on the internet.

** Now, the librarian in me would like your opinion about this website, please; it's not one I've come across before and I haven't had a chance to evaluate it yet. Thanks.

Day 21: Saint-Saens Piano Concerto no.2

Day 21: Saint-Saens Piano Concerto no.2

Huh! What did I say? Something by Saint-Saens to listen to each week!! So true!

This has been an interesting one! Managed to watch quite a lot of the BBC Young Musician of the Year, so I’ve actually heard quite a lot of music. I wasn’t sure which of the 5 Saint-Saens piano concertos to listen to (it’s a boxed set of containing all 5), so I asked Shrimp to chose for me. The odd thing here is that he chose no.2, which just happens to be the one played by the 2010 winner of that same competition, Lara Melda!

I absolutely love all the concertos – but then I am a Saint-Saens fan! According to the CD insert, no.2 is the most popular of the concertos, and, rather astonishingly, was composed in about 3 weeks in 1868! The premiere was conducted by Anton Rubinstein, with Saint-Saens himself at the piano. Unlike traditional concertos, the movements are slow-quick-quick, and begins with a Bach-style toccata solo, the middle movement shows the influence of Mendelssohn, and the finale is a run-away tarantella, showing the influence of Offenbach!

Strangely, I’ve been wondering lately whatever happened to a book I ordered; this is strange because I had completely forgotten about it until yesterday and was about to chase it when lo and behold it arrived today! Anyway, it’s Saint-Saens: his life and art, by Watson Lyle, published in 1923. Ironically, it has come from a public library in the States, via Betterworldbooks!

Anyway, as you can imagine, Lyle has quite a lot to say about all of Saint-Saens’ work. Here’s a snippet about the 2^nd piano concerto:

“The second movement, Allegro Scherzando, is airily graceful in character […] It is in six-eight throughout, and the colour impression of ethereal elusiveness is created at the outset by the scoring of the strings, pizzicato, while tympani denote the rhythm. At bar 5 the pianoforte enters with a theme of elfin capriciousness, a veritable Danse de Puck…” !

Well, if only we used rich, descriptive language like that today!

He goes on to say:

“The rhythm […] is so compelling that I have heard audiences, even of the best-regulated brands, tapping their feet pp. in sympathy with the musicians!”

Tut tut!

To sum up, if you haven’t heard this piece, do go listen, it’s really worth it!